From the carriage-style headdress and straw hats worn in Corossol and Colombier, to the Panama hat adopted in Cul-de-Sac, Marigot, and Vitet, these headpieces are true symbols of local identity. The carriage headdress, also known as the Quichenotte, a large iconic white headpiece, came in two styles: the platinum carriage, made from braided strands sewn together, and the stick carriage, crafted with fine wooden sticks inserted into designated slots. Over time, the carriage headdress gradually gave way to the more practical and lightweight straw hat.
There was also the cape now mostly disappeared except in the Gustavia museum which was worn in blue fabric for work and black for outings. These headpieces primarily served a practical purpose: protecting from the sun and scratches. Yet they also had a more unexpected function: keeping the overly forward English and Swedish visitors at a distance. This is how the headdress came to be called Quichenotte, literally meaning “do not kiss me.”